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And while the Vari-Class control isn’t an effect in the traditional sense, it can profoundly alter the amp’s sound and feel. But at higher levels it starts to sound a little artificial, and hardcore ’verb fans may opt for a good stompbox reverb instead. Like an old tube combo, Peavey kept the Combo 20’s effects simple, and the reverb adds a nice shimmer to both clean and distorted sounds. A boost control extends the versatility of the second channel by generating a heap of extra presence and sustain for solos. The dirty channel provides a surprisingly wide range of higher-gain sounds-from slight crunchiness to the sort of thick, saturated distortion that a classic metal fiend could work with. Reverb betrays digital nature at high volume. Convenient recording and studio features. And you can clean up the output quite readily by rolling back the volume on your guitar. When the amp’s bright switch is engaged, you can coax more than enough extra twang for surf and piercing Nashville lead lines.Įdging up the volume on the clean channel generates a touch of warm grit and imparts a full, singing quality to single-note runs that’s made for blues-rock soloing. Like any good clean tube amp, the Combo 20 lets you get a lot of different sounds via pickup selection and guitar tone controls, and that great blank-slate performance helped the 335 work for everything from chord-melody jazz to pedal-steel-inspired country lines. At higher but moderate volume levels, the basic sound on the clean channel is rich and warm, and the amp feels dynamic and responsive. I plugged a Gibson ES-335 into the ValveKing, and before playing a note noticed that the amp is whisper-quiet. Like many of the boutique amps that inspired it, the Peavey splits the difference between a modern and vintage look: Its matte black hardware contrasts nicely with a silver grille cover and chicken-head control knobs. Especially cool is a switch for attenuating the power to either five watts or one watt.Īt 37.6 pounds and measuring 20 1/2" by 22" by 10 1/4", the 1x12 combo feels substantial and well built. The back panel is also home to a buffered effects loop, a pair of speaker outputs, and 1/4" jacks for switching channels. Similarly, a USB out-complete with mic simulations-lets you connect the amp to a computer for recording. The MSDI (Microphone Simulated Direct Interface) consists of an XLR output paired with a speaker-defeat switch that allows the amp’s signal to be fed directly into a mixing console. On the back panel, you’ll find several studio-centric features. Peavey has also included a LED-equipped tube-monitoring indicator to keep you clued into the health of your tubes. The latter two controls are helpful for extending the amp’s sonic palette-the damping control affects presence and resonance, while the Vari-Class lets you switch between digital simulations of class A- and class AB-style dynamics.
GARAGEBAND 10.1.4 MONITOR PLUS
A master reverb control, plus damping and “Vari-Class” controls can be used with both channels.
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The lead channel has the same controls plus a gain button and gain-level knob, along with a button for boost. The clean channel features volume, bass, mid, and treble controls, and a bright switch. The twin EL84-powered ValveKing II Combo 20 is, at its essence, a straightforward 20-watt 2-channel amp. The basic sound on the clean channel is rich and warm, and the amp feels dynamic and responsive.